Vedrana Subotić appears as piano soloist with the Ballet West Orchestra in the pit for Ben Stevenson's Dracula, a gothic retelling of Bram Stoker's novel scored to the music of Franz Liszt, arranged by John Lanchbery. Lanchbery drew on more than a dozen of Liszt's works, including Totentanz and La lugubre gondola, and assigned the piano to represent Dracula himself.

Vedrana Subotić appears as piano soloist with the Ballet West Orchestra in the pit for Ben Stevenson's Dracula, a gothic retelling of Bram Stoker's novel scored to the music of Franz Liszt, arranged by John Lanchbery. Lanchbery drew on more than a dozen of Liszt's works, including Totentanz and La lugubre gondola, and assigned the piano to represent Dracula himself.

Vedrana Subotić appears as piano soloist with the Ballet West Orchestra in the pit for Ben Stevenson's Dracula, a gothic retelling of Bram Stoker's novel scored to the music of Franz Liszt, arranged by John Lanchbery. Lanchbery drew on more than a dozen of Liszt's works, including Totentanz and La lugubre gondola, and assigned the piano to represent Dracula himself.

Vedrana Subotić appears as piano soloist with the Ballet West Orchestra in the pit for Ben Stevenson's Dracula, a gothic retelling of Bram Stoker's novel scored to the music of Franz Liszt, arranged by John Lanchbery. Lanchbery drew on more than a dozen of Liszt's works, including Totentanz and La lugubre gondola, and assigned the piano to represent Dracula himself.

Vedrana Subotić appears as piano soloist with the Ballet West Orchestra in the pit for Ben Stevenson's Dracula, a gothic retelling of Bram Stoker's novel scored to the music of Franz Liszt, arranged by John Lanchbery. Lanchbery drew on more than a dozen of Liszt's works, including Totentanz and La lugubre gondola, and assigned the piano to represent Dracula himself.

Vedrana Subotić appears as piano soloist with the Ballet West Orchestra in the pit for Ben Stevenson's Dracula, a gothic retelling of Bram Stoker's novel scored to the music of Franz Liszt, arranged by John Lanchbery. Lanchbery drew on more than a dozen of Liszt's works, including Totentanz and La lugubre gondola, and assigned the piano to represent Dracula himself.

Vedrana Subotić appears as piano soloist with the Ballet West Orchestra in the pit for Ben Stevenson's Dracula, a gothic retelling of Bram Stoker's novel scored to the music of Franz Liszt, arranged by John Lanchbery. Lanchbery drew on more than a dozen of Liszt's works, including Totentanz and La lugubre gondola, and assigned the piano to represent Dracula himself.

Vedrana Subotić appears as piano soloist with the Ballet West Orchestra in the pit for Ben Stevenson's Dracula, a gothic retelling of Bram Stoker's novel scored to the music of Franz Liszt, arranged by John Lanchbery. Lanchbery drew on more than a dozen of Liszt's works, including Totentanz and La lugubre gondola, and assigned the piano to represent Dracula himself.

Vedrana Subotić appears as piano soloist with the Ballet West Orchestra in the pit for Ben Stevenson's Dracula, a gothic retelling of Bram Stoker's novel scored to the music of Franz Liszt, arranged by John Lanchbery. Lanchbery drew on more than a dozen of Liszt's works, including Totentanz and La lugubre gondola, and assigned the piano to represent Dracula himself.

Vedrana Subotić performs Schumann’s Kreisleriana alongside the composer’s only Piano Quartet, closing out Intermezzo’s 25th anniversary season.